About
I graduated from Chelsea College of Art in 2015 and grew up in Brentford, West London. I now live and teach in remote Western Australia, working between my home studio and the classroom.

My practice began with an interest in urban displacement and the shifting sense of belonging that cities create. Over time, that has evolved into an ongoing exploration of how identity , in particular female identity, is built and controlled through cultural images, domestic ideals, and historical narratives.

Working with photographed and digitally manipulated found media, I layer fragments of architecture, advertising, and text to create new icons and altars. These collages play with devotion and spectacle, revealing how power, desire, and myth still shape the spaces we inhabit.

Rosie Keane Burrows and Grayson Perry viewing black and white photographs displayed on a gallery wall at an art exhibition, with other people in the background.

Edges of Nowhere: New Visions in Contemporary Art London, 2014

HOME VIDEO (2015)
Single‑channel video, mixed media

HOME VIDEO layers filmed footage with fragments of old movie reels, overlaid with the audio of a guided hypnosis session in which I revisit the houses I once lived in. Snippets of vintage radio dramas drift through the soundtrack, evoking the voices of past eras.

The work reflects on the fleeting nature of belonging to a place, and the unease that surrounds those who pass through—the stranger, the lodger. It draws out the tension between home as sanctuary and home as something fragile, temporary, and haunted by other lives.

A black rabbit sculpture with white details in front of a table. The table holds a vintage TV, framed photographs, a small framed picture, and a desk lamp directed towards the TV.
A black wall-mounted miniature shelving unit containing various shoes and sandals, with some empty compartments, on a plain wall.

Mapping the Margins Exhibition

London, 2017

Constructed Realities Exhibition

Surrey 2016